There have been many product reviews of Amazon.com's Kindle, though none have described the buzz around the electronic reader as "an alpenhorn blast of post-Gutenbergian revalorization." That's just one of the gems in writer Nicholson Baker's lengthy essay on the device in the New Yorker.

One of the funniest parts is Baker's unpackaging of a Kindle, which he describes in somewhat ghoulish terms:

Within, lying face up in a white-lined casket, was the device itself. It was pale, about the size of a hardcover novel, but much thinner, and it had a smallish screen and a QWERTY keyboard at the bottom made of tiny round pleasure-dot keys that resisted pressing. I gazed at the keys for a moment and thought of a restaurant accordion.

Later:

The problem was not that the screen was in black-and-white; if it had really been black-and-white, that would have been fine. The problem was that the screen was gray. And it wasn’t just gray; it was a greenish, sickly gray. A postmortem gray. The resizable typeface, Monotype Caecilia, appeared as a darker gray. Dark gray on paler greenish gray was the palette of the Amazon Kindle.

The essay continues along such skeptical lines, with Baker writing toward the end:

On the other hand, there’s no clutter, no pile of paperbacks next to the couch. A Kindle book arrives wirelessly: it’s untouchable; it exists on a higher, purer plane. It’s earth-friendly, too, supposedly. Yes, it’s made of exotic materials that are shipped all over the world’s oceans; yes, it requires electricity to operate and air-conditioned server farms to feed it; yes, it’s fragile and it duplicates what other machines do; yes, it’s difficult to recycle; yes, it will probably take a last boat ride to a Nigerian landfill in five years. But no tree farms are harvested to make a Kindle book; no ten-ton presses turn, no ink is spilled.

It's an amusing read.

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